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Essays, interviews, programme notes and archives about early cinema, from the festivals, critics and archives that publish them. Every entry opens on the publisher's own site.
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The film was restored by Blackhawk Films in 2024 from a first generation 35mm safety print and a 16mm dupe negative. It is presented with two different scores: an original piano composition by Antonio Coppola and an original orchestral score by Alloy Orchestra, recorded live in 2013.