
Reginald Barker's The Italian, produced by Thomas Ince from a scenario he wrote with C. Gardner Sullivan, is among the first American features to treat immigrant life as tragedy rather than vaudeville.
Reginald Barker's The Italian, produced by Thomas Ince from a scenario he wrote with C. Gardner Sullivan, is among the first American features to treat immigrant life as tragedy rather than vaudeville. George Beban, a Broadway specialist in ethnic roles making his screen debut, plays Pietro Beppo Donnetti, a Venetian gondolier who emigrates to New York, works as a bootblack, and sends for his bride. When their infant falls ill, a doctor prescribes pasteurized milk. Robbed on the way to buy it, Beppo is jailed; the ward boss who once bought his vote refuses help, and the child dies. Ince had wanted the slur title Dago until Beban forced a change. Shot largely in San Francisco's Italian neighborhoods, the film entered the National Film Registry in 1991.