Essays, interviews, programme notes and archives about early cinema, from the festivals, critics and archives that publish them. Every entry opens on the publisher's own site.
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Senses of Cinema Great Directors profile of D.W. Griffith, including his late silent and early sound career.
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A critical history of the pre-Code Hollywood myth and the MPPDA Production Code.
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LoC Magazine feature on rediscovering a lost Méliès film from 1897.
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Archive feature on reconstructing intertitles for Hitchcock’s silent restorations.
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Restoration overview for F.W. Murnau's Sunrise (1927), including Movietone, Czech, and Dutch versions plus trailer and outtakes work with the Library of Congress.
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Trade coverage of the San Francisco Film Preserve Sunrise restoration premiere at Il Cinema Ritrovato.
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BFI London Film Festival interview on the restoration of Foolish Wives (1922), reconstructing sequencing, tinting, and intertitles.
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One of the most talented and prolific early film directors, long lost to history, returns to the screen.
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Three Keaton shorts open A Day of Silents at the Castro before a series runs through December in Berkeley.
Website
Review by Kyle Westphal
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Mabel Normand scored a smash hit with this feature-length comedy about a mining camp brat who goes to live in the big city. Chaos ensues but you knew that already.
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Jack Miller argues that Dovzhenko’s Earth represents a radically non-narrative alternative to Eisenstein’s dialectical montage, treating its agrarian subjects and the natural world as monumental, painterly presences rather than characters in a story.
Website
Cara Marisa Deleon explores the tension between the film’s progressive ideals and its deeply patriarchal treatment of its female characters
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Essay exploring Vidor's Depression-era collective farm drama and its social commentary.
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Critical analysis of how the film navigated Hays Code restrictions while exploring human weakness.
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Retrospective essay celebrating Dreyer's creation of atmosphere through visual innovation and technique.
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Essay on Bette Davis's groundbreaking performance and the film's dark portrayal of obsession.
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Essay on Dreyer's dreamlike approach to horror and psychological terror in his first sound film.
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Festival resource on Browning's unique approach to grotesque cinema.
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Festival resource on one of cinema's greatest comedies.