Essays, interviews, programme notes and archives about early cinema, from the festivals, critics and archives that publish them. Every entry opens on the publisher's own site.
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Distributor
The film was restored by Blackhawk Films in 2024 from a first generation 35mm safety print and a 16mm dupe negative. It is presented with two different scores: an original piano composition by Antonio Coppola and an original orchestral score by Alloy Orchestra, recorded live in 2013.
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Roger Ebert's review (2004)
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Open Culture article, with video
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Article from Open Culture
Foundation
This film is also availalble to view, with additional information, at the National Film Preservation Foundation's Screening Rom
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From The Public Domain Review, Hunter Dukes explores Hollywood's first natural-color feature film and the breakout role for Anna May Wong
Foundation
This film is also available through the National Film Preservation Foundation
Foundation
You can view this film and learn more via the Screening Room of the National Film Preservation Foundation