Essays, interviews, programme notes and archives about early cinema, from the festivals, critics and archives that publish them. Every entry opens on the publisher's own site.
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Essay on Bette Davis's groundbreaking performance and the film's dark portrayal of obsession.
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Archive essay on Griffith's innovative editing techniques and narrative cross-cutting.
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Critical analysis of Sternberg's direction and Dietrich's iconic performance as Lola Lola.
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Encyclopedia entry on Alice Guy-Blachê's pioneering narrative film, the first fiction film ever made.
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Historical examination of the film's creation of the gangster film genre.
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Academic article examining the film's use of art and archaeology in Italian epic cinema.
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Book-length study of the film's relationship to mass culture and Dietrich's star image.
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Festival resource on Valentino's final performance before his death.
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Essay on Griffith's biographical film and its portrayal of Lincoln as a humanized figure.
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Detailed film-by-film examination of this Chaplin short including production context and critical reception.
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Review of this important war film that interprets and stretches the boundaries of aviation cinema.
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Analysis of Chaplin's screen debut of the Tramp character filmed at the 1914 Pushmobile Parade in Venice, California.
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Criterion's analysis of this visually poetic Sternberg-Dietrich collaboration.
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Detailed examination of the first Tramp film credited to Normand's direction and its significance in character development.
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Festival documentation of Capra and Langdon's comedic masterpiece.
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Festival guide to Cooper and Schoedsack's jungle documentary-drama.
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Festival guide to Pickford's department store romance.
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Essay on this early John Wayne western and its themes of child abuse within a morality play tradition.
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Essay on Ozu's last silent film and its neo-realist approach to depicting urban poverty.
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Criterion release with essay on Pabst's pacifist war film and its innovative sound design.
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Critical analysis of Ozu's transitional film blending silent melodrama with postwar formalism.
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Analysis of Chaplin and Arbuckle's drunken duo comedy examining visual gags and physical performance.
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Essay on Sternberg's final Dietrich collaboration and its extreme aestheticism and pessimism.
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Essay on Pabst's intimate depiction of WWI trench warfare and its immediate Nazi ban.