Reading Room

The Phantom of the Opera: A Cinematography Essay — American Society of Cinematographers (opens theasc.com in a new tab)

Technical analysis of the film's visual design and Chaney's transformative makeup artistry.

On The Phantom of the Opera

The Gold Rush - As Good as Gold (opens criterion.com in a new tab)

Essay analyzing Charlie Chaplin's masterpiece and its status as one of cinema's greatest films.

The Criterion Collection

On The Gold Rush

Film essay for The Gold Rush — Library of Congress National Film Preservation Board (opens loc.gov in a new tab)

Scholarly essay on the production and cultural significance of Chaplin's comedy epic.

On The Gold Rush

Film essay for The Iron Horse — Library of Congress National Film Preservation Board (opens loc.gov in a new tab)

Scholarly essay on Ford's epic western and its historical significance.

On The Iron Horse

The Lost World (1925) (opens thehorseshead.blog in a new tab)

Critical examination of Willis O'Brien's groundbreaking animation technique.

The Horse's Head

On The Lost World

The Lost World (1925) - Toronto Film Society (opens torontofilmsociety.com in a new tab)

Film notes on the technical innovation and cultural impact of dinosaur cinema.

Toronto Film Society

On The Lost World

The Phantom of the Opera - Great Movie (opens rogerebert.com in a new tab)

Critical appreciation of Lon Chaney's legendary performance and the film's horror innovations.

Roger Ebert

On The Phantom of the Opera

Beginner's Guide to Alfred Hitchcock: The Pleasure Garden (1925) (opens talkfilmsociety.com in a new tab)

Critical introduction to Hitchcock's emerging visual style and narrative approach.

Talk Film Society

On The Pleasure Garden

The Pleasure Garden (1925, Alfred Hitchcock) (opens ianfarrington.wordpress.com in a new tab)

Analysis of voyeurism and sexuality in Hitchcock's debut feature.

Ian Farrington

On The Pleasure Garden

The Unholy Three (opens britannica.com in a new tab)

Encyclopedia entry on Browning and Chaney's crime melodrama.

Britannica

On The Unholy Three

Modern Matinees: A Tale of Two Stellas (opens moma.org in a new tab)

Comparison of the 1925 and 1937 versions examining evolution of the maternal melodrama.

MoMA

On Stella Dallas

Master of the House - San Francisco Silent Film Festival (opens silentfilm.org in a new tab)

Festival documentation of Dreyer's complex narrative innovation.

Strike - San Francisco Silent Film Festival (opens silentfilm.org in a new tab)

Festival resource on Eisenstein's experimental approach to narrative and montage editing.

On Strike

Film review – Variété (Ewald André Dupont, 1925) (opens cinemaetc.co.uk in a new tab)

Analysis of Dupont's groundbreaking cinematography and visual storytelling.

Cinema, etc.

On Variety

By the Law (Web Exclusive) (opens cineaste.com in a new tab)

Critical analysis of Kuleshov's chamber film and the Kuleshov Effect in practice.

Cineaste Magazine

On By the Law

BY THE LAW (Lev Kuleshov, 1926) (opens grunes.wordpress.com in a new tab)

Essay on Kuleshov's innovative approach to tension and minimal resources.

Dennis Grunes

On By the Law

'By The Law' or — Yukon Ho! (opens colinedwards.medium.com in a new tab)

Analysis of the film's narrative economy and visual storytelling.

Medium

On By the Law

F.W. Murnau's Faust - Public Domain Review (opens publicdomainreview.org in a new tab)

Analysis of the film's technical innovation and artistic achievement.

Public Domain Review

On Faust

Faust (1926) - A landscape of nightmares (opens rogerebert.com in a new tab)

Critical analysis of Murnau's visual mastery and expressionist horror aesthetics.

Roger Ebert

On Faust

Flesh and the Devil - UCLA Library (opens library.ucla.edu in a new tab)

Library exhibition notes on the film's artistic and romantic elements.

UCLA Library

On Flesh and the Devil

ithankyou: The Lillian Gish method… La Bohème (1926) (opens ithankyouarthur.blogspot.com in a new tab)

Analysis of Gish's transformative acting technique and the film's emotional power.

ithankyou

On La Bohème

Thoughts On: Menilmontant (1926) (opens silentology.wordpress.com in a new tab)

Essay on the film's French Impressionist approach to visual cinema.

Silent-ology

On Ménilmontant

Menilmontant – 1926, Dimitri Kirsanov (opens wondersinthedark.wordpress.com in a new tab)

Critical appreciation of Kirsanov's avant-garde masterpiece.

Wonders in the Dark

On Ménilmontant

The Squaw Man | film by DeMille [1914] (opens britannica.com in a new tab)

Encyclopedia entry detailing the historical significance of the first feature-length film shot in Hollywood.

Britannica

On The Squaw Man