Essays, interviews, programme notes and archives about early cinema, from the festivals, critics and archives that publish them. Every entry opens on the publisher's own site.
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Encyclopedia entry on Alice Guy-Blachê's pioneering narrative film, the first fiction film ever made.
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Analysis of Mary Pickford's performance in this literary adaptation examining collaboration with director Marshall Neilan.
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Festival guide to Cooper and Schoedsack's jungle documentary-drama.
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Analysis of Méliès' pioneering horror film and its technical innovations in stop-motion effects.
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Critical analysis of Méliès' pioneering use of multiple exposure and substitution splicing techniques.
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Scholarly essay placing the film within the context of early science fiction cinema.
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Book-length study of the film's relationship to mass culture and Dietrich's star image.
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Critical analysis of Hepworth's adaptation and its innovative special effects for fantasy cinema.
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Library of Congress essay on the film's historical significance and its pioneering narrative techniques.
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Analysis of Méliès' ambitious science fiction film and its satirical treatment of scientific exploration.
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Ebert's great movies essay on Sternberg's surrealist approach to historical drama.
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Essay on this early John Wayne western and its themes of child abuse within a morality play tradition.
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Essay on Ozu's last silent film and its neo-realist approach to depicting urban poverty.
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Critical analysis of Ozu's transitional film blending silent melodrama with postwar formalism.
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Essay on Sternberg's final Dietrich collaboration and its extreme aestheticism and pessimism.
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Essay on Ptushko's pioneering stop-motion animated feature with its Communist allegory.
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Essay on Barnet's joyful romance combining Soviet realism with musical theater elements.
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Overview of this Three Stooges courtroom comedy short known for anarchic slapstick.
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Criterion essay on La Cava's screwball comedy and its Depression-era commentary on class.
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Ebert's great movies essay celebrating this quintessential 1930s screwball comedy.
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Ebert's essay on Chaplin's masterpiece and its lyrical romanticism and defiance of sound cinema.
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Guide to Hitchcock's adaptation of Sean O'Casey's play and his frustrations with theatrical material.
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Scholarly essay examining the film's theatrical traditions and special effects innovations.
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Museum essay examining the film's innovative use of juxtaposition and social commentary.