Essays, interviews, programme notes and archives about early cinema, from the festivals, critics and archives that publish them. Every entry opens on the publisher's own site.
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Festival documentation of Keaton's personal favorite and commercially successful comedy.
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Critical examination of Griffith's adaptation of Edgar Allan Poe with analysis of early cinematic psychology and horror techniques.
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Festival resource on Vidor's romantic tragedy and Gish's acclaimed performance.
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Critical analysis of Vidor's exploration of forbidden desires around race and sexuality in pre-Code Hawaii.
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Festival resource on Garbo and Gilbert's chemistry and film legacy.
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Analysis of Chaplin's directorial debut featuring his famous tree-embrace parody and romantic park bench scenes.
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Festival resource on Browning's unique approach to grotesque cinema.
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Official preservation essay on this milestone film in Dietrich and Sternberg's collaboration.
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Criterion's overview of Sternberg and Dietrich's melodrama about a chanteuse's moral decline.
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Criterion release with essay on this Weimar-era film by young filmmakers including Siodmak and Ulmer.
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Essay on Seiter's pre-Code examination of small-town morality and rumors about women's sexuality.
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Essay on Dreyer's dreamlike approach to horror and psychological terror in his first sound film.
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Festival analysis of Dupont's revolutionary mobile camera techniques.
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Deep analysis of Griffith's horror masterpiece featuring innovative use of cutaways and Poe's literary influence on cinema.
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Essay on Sternberg's visualizations of obsessive desire and cinematic exoticism.
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Critical essay on Chaplin's early comic performance and character development.
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Encyclopedia entry on Alice Guy-Blachê's pioneering narrative film, the first fiction film ever made.
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Scholarly analysis of the film's significance as the first narrative film and its pioneering screenwriting.
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Critical essay examining Frank Borzage's 1932 adaptation and how it differs from Hemingway's vision.
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Analysis of Mary Pickford's performance in this literary adaptation examining collaboration with director Marshall Neilan.
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Critical perspective on Soviet cinema's approach to revolutionary narrative.
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Essay on this pioneering underwater photography film and its technical innovations versus narrative weaknesses.
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Scholarly article examining the representation of working-class labor in early cinema and its historical significance.
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Educational analysis of the film's historical importance as a foundational work of cinema history.